![]() Supplied Negatives/Slides – Prints and scans from previously developed films typically take 5-10 business days. This includes APS / Advantix film developing, 110 film developing and 126 film format developing, mini-Diana’s, panoramic formats and sprocket hole rolls etc.ĭamaged film (torn sprockets, overlapped frames, uneven frames) will take longer due to manual scanning. Film shot in a non-standard format will take several extra days due to manual scanning. Super Scan orders typically take 3-7 business days. You will also get your web uploads approximately 3-6 business days after your order goes into production. Occasionally production times run a bit longer, especially before or after holidays. We are located in Southern California, so mail takes 2-5 days to reach us from almost anywhere in the country. Most film developing orders are shipped back to you within 3-7 business days after they enter production. Develop your film using the three easy methods below. We’ll also mail your negatives along with optional prints, photo DVD, or USB drive with your digital images. We carefully inspect your film and color, contrast, and density adjust each frame to deliver high-quality images. While other retailers will just process your film, we take a much more detailed approach to make sure that your images turn out perfectly. Mail your film to us using our postage-paid mailer, and for as low as $12, we’ll process your film, scan your negatives, and upload your images for immediate download or sharing on Facebook, Instagram, etc. Since 1976, The Darkroom has specialized in Film Developing. However, it was another product that met a need that could be provided with little cost.Professional Film Developing for 35mm, 110, 120, C-41 Color Negative, E-6 Slide, and True Black & White. From a prolab point of view it provided additional products using existing printers and processes.īW films for Process C-41 was not a big volume or success for any of the film manufacturers. This allowed prolabs to make monochrome prints on RA-4 paper. PORTRA 400 BW had the same color characteristics as otehr PORTRA Films so it could be analyzed and printed with other PORTRA Films. This was a major driver in making PORTRA Films a huge success for Kodak. This allowed labs to handle all PORTRA Films the same no need to segregate films. One of the advantages of PORTRA Films was that all the PORTRA Films could be printed using the same analysis and printing channels. It allowed the labs to provide and additional product using existing printers and processes. It allowed making b&w prints from color negatives using existing printers and RA-4 paper process. This was used in the school picture and commercial lab business. Rather than producing CMY dye imageįrom respective RGB records the print dyes were " mixed" to produce a near neutral print image. This was an RC paper for RA-4 paper process. It could also be printed on b&w paper but required long exposure times.Īnother attempt at monochrome prints was EKTAMAX Paper. ![]() This required a special printing channel on automatic color printers. Later various b&w films for C-41 process were sold that could be printed to color papers producing almost monochrome prints. It competed successfully with Agfa VARIO PAN and ILFORD XP1 and XP2. This was intended to be printed on BW Paper using enlargers etc. Later, after higher priority projects were completed, T 400 CN was commercialized using more conventional dye-only technology. A major factor in never pursuing this was it was not reasonable to place future constraints on Process C-41 in order to make a performance improvement in a very small volume product. This technology was never commercialized. Even in retrospect this was the best decision. We had limited resources so we chose to pursue T-MAX Films. This was achieved by using a bleach restrainer in the emulsion. The film provided an image that was a hybrid dye-and-silver image. We had a 400 speed b&w Process C-41 film with grain that was much better than TRI-X or the other B&W C-41 films on the market. In 1981-82, prior to T-Max Film, we (Kodak) did some experimentation with chromogenic B&W films.
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